{"id":287,"date":"2018-06-17T20:13:24","date_gmt":"2018-06-17T20:13:24","guid":{"rendered":"https:\/\/www.marthakicsiny.hu\/?page_id=287"},"modified":"2023-05-24T17:47:50","modified_gmt":"2023-05-24T17:47:50","slug":"exercises-in-perception-percepcios-gyakorlatok","status":"publish","type":"page","link":"https:\/\/www.marthakicsiny.hu\/?page_id=287","title":{"rendered":"Exercises in Perception"},"content":{"rendered":"

\"\"
\nreconstruction of life<\/a>
\n\"\"<\/p>\n

Willany Le\u00f3 Dance Collaboration<\/a>\"\"
\nUnplastered Exhibition<\/a>
\n\"\"<\/p>\n

The film\u2019s interpretation is kept open. It may be read as the hierarchy of society, of the depiction of historical traumas and atrocities. It reflects the unprocessable weight of facing the moral responsibility of living with the heritage of colonialism and the benefits of neocolonialism. While for others it may be understood as a state of an individual\u2019s personal psychology. Furthermore, the viewer unavoidably encounters the issues of society\u2019s relation to showing, hiding, sexualising and objectifying human bodies.<\/span><\/p>\n

\u2022<\/p>\n

A film \u00e9rtelmez\u00e9se nyitott. Olvashat\u00f3, mint elvont t\u00e1rsadalmi hierarchia, t\u00f6rt\u00e9nelmi traum\u00e1k \u00e9s atrocit\u00e1sok \u00e1br\u00e1zol\u00e1sa. Reflekt\u00e1l a kolonializmus \u00f6r\u00f6ks\u00e9g\u00e9nek, illetve a neokolonializmus haszon\u00e9lvezet\u00e9nek mor\u00e1lis felel\u0151ss\u00e9g\u00e9vel val\u00f3 szembes\u00fcl\u00e9s feldolgozhatatlan s\u00falyoss\u00e1g\u00e1ra. M\u00e1sok sz\u00e1m\u00e1ra egy\u00e9nek szem\u00e9lyes pszichol\u00f3giai helyzetjelent\u00e9sek\u00e9nt \u00e9rtelmezhet\u0151. Ezek mellett elker\u00fclhetetlen\u00fcl szembes\u00fcl a n\u00e9z\u0151 a t\u00e1rsadalom viszonya az emberi testek l\u00e1ttat\u00e1sa, elrejt\u00e9se, szexualiz\u00e1l\u00e1sa \u00e9s objektifik\u00e1l\u00e1sa k\u00e9rd\u00e9sk\u00f6r\u00e9vel is.<\/span><\/p>\n

The short film \/\/ A r\u00f6vid film:<\/p>\n